Refugee Archipelago: Ch. 2

Region:
West Nile, Uganda
Memories from the first days of Bidi Bidi Refugee Settlement.

It wasn’t the reports that street-fighting had reached South Sudan’s capital of Juba or that mercenaries were raiding villages in nearby Equatoria State; the first signs of the coming humanitarian crisis were the ghost-like figures wandering into the border towns of Uganda’s West Nile Sub-Region—many of them children, many of them alone. It was the summer of 2016 and millions of South Sudanese were preparing to flee their newly-independent nation, while just across the border in northwest Uganda, a harsh frontier land of savannah, sand and thicket was about to become Bidi Bidi Refugee Settlement (pop. 285,000).

Bidi Bidi was an attempt by the UN High Commission for Refugees and the Ugandan government’s Office of the Prime Minister to resolve the region’s recurring cycle of conflict and humanitarian response by creating a permanent refugee city. And within weeks of the emerging crisis, government-issued construction trucks and emergency vehicles were clogging the single dirt road that links Uganda’s isolated northwestern province to the rest of the country, bands of foreign aid workers were haggling for rooms in the handful of hotels typically reserved for long-haul truck drivers and Congolese merchants, and Ugandan military forces were deployed to the border.

The second chapter of Refugee Archipelago chronicles the origins of Bidi Bidi from the perspectives and experiences of host communities, UN administrators, Ugandan relief workers, and Richard Akim, a South Sudanese refugee who dreams of becoming a filmmaker before an orgy of violence leaves him orphaned and helpless against the marauding militias. Ultimately, he must find a way to escape make it to Uganda, where he was born as a refugee two decades earlier.

*Refugee Archipelago would not have been possible without the consent and support of the Ugandan Office of the Prime Minister. All interviews and illustrations have been recorded and recreated as faithfully and respectfully as possible.

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Editor, writer, publisher and co-founder of Interstitial Media whose work is primarily focused on conflict, culture, history and global affairs.

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Award-winning Honduran animator and journalist who received the 2017 Gabriel García Márquez award for Latin American Journalism for his graphic novella "El Hábito de la Mordaza" ("The Habit of Silence"). He is founder of Bilbao Media Lab and co-producer of the Bidi Bidi Media Lab.

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